Night Photos

Introduction

Over the past couple of months, I’ve made an attempt to try and take photos at night with quite long exposures. The following ten photos represent my best attempts.

The Photos

Tomohawk Beach during a heavy late night sleet shower. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 15 s, f/5.6, ISO 400, tripod mounted with remote release.
Tomohawk Beach during a heavy late night sleet shower. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 15 s, f/5.6, ISO 400, tripod mounted with remote release.
Otago Harbour, as viewed from Unity Park shortly after dusk. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 1 m 15 s, f/8, ISO 100, tripod mounted with remote release.
Otago Harbour, as viewed from Unity Park shortly after dusk. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 1 m 15 s, f/8, ISO 100, tripod mounted with remote release.
A view of Dunedin City, from Unity Park, showing Pine Hill (left of frame) through the centre city to Andersons Bay and Shiel Hill (right of frame). Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 45.6 s, f/8, ISO 100, tripod mounted with remote release.
A view of Dunedin City, from Unity Park, showing Pine Hill (left of frame) through the centre city to Andersons Bay and Shiel Hill (right of frame). Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 45.6 s, f/8, ISO 100, tripod mounted with remote release.
Mosgiel and the Taieri Plain, as viewed from the rest area on Three Mile Hill. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 15 s, f/5.6, ISO 100, tripod mounted with remote release.
Mosgiel and the Taieri Plain, as viewed from the rest area on Three Mile Hill. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 15 s, f/5.6, ISO 100, tripod mounted with remote release.
Looking across Ravensbourne and North Dunedin from Highcliff Road on the Otago Peninsula. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 26.34 s, f/5.6, ISO 100, tripod mounted with remote release.
Looking across Ravensbourne and North Dunedin from Highcliff Road on the Otago Peninsula. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 26.34 s, f/5.6, ISO 100, tripod mounted with remote release.
Smaills Beach at full moon. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 45 s, f/5.6, ISO 100, tripod mounted with remote release.
Smaills Beach, Dunedin, at full moon. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 45 s, f/5.6, ISO 100, tripod mounted with remote release.
An enlarged view of the stack off the shore at Smaills Beach, Dunedin, under the light of a full moon. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 15 s, f/5.6, ISO 100, tripod mounted with remote release.
An enlarged view of the stack off the shore at Smaills Beach, Dunedin, under the light of a full moon. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 4 m 15 s, f/5.6, ISO 100, tripod mounted with remote release.
The headland at Smaills Beach, Dunedin, during full moon. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 6 m, f/5.6, ISO 100, tripod mounted with remote release.
The headland at Smaills Beach, Dunedin, during full moon. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 6 m, f/5.6, ISO 100, tripod mounted with remote release.
Looking across the Otago Harbour towards Aramoana and Taiaroa Head from Aurora Terrace in Port Chalmers, Dunedin. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 2 m 45 s, f/5.6, ISO 100, tripod mounted with remote release.
Looking across the Otago Harbour towards Aramoana and Taiaroa Head from the lookout in Aurora Terrace, Port Chalmers, Dunedin. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 2 m 45 s, f/5.6, ISO 100, tripod mounted with remote release.
Port Otago in Port Chalmers, Dunedin. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 25.3 s, f/5.6, ISO 100, tripod mounted with remote release.
Port Otago in Port Chalmers, Dunedin. Olympus OM-D E-M5 with Olympus 12-40 mm PRO. 25.3 s, f/5.6, ISO 100, tripod mounted with remote release.

The End

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